Tag: london

 

Dilara Findikoglu - London Banking Hall

A low lit room, combined with the classically inspired architecture of London’s Banking Hall set the scene for Findikoglu’s AW/18 collection, where we see Findikoglu’s designs reflect some aspects of a Tim Burton gothic styled film. The models makeup vaguely reminiscent of an renaissance styled painting, the clothing itself featuring structured jumpsuits and pin-stripe blazers adorned with a selection of renaissance styled images - particularly focusing around eyes and hand drawn female figurative portraits and photographs, lending the collection a totally eerie but super cool perspective.

The collection featured elements mainly around the use of leather and PVC, focusing on the prominence and stand-out reflective aesthetic of these materials. Patchwork cut outs are seen emblazoned along open neck blazers with other items adorned with patterned silk sashes around areas such as the waistline complete slashed open dresses.

With the images reflecting the inspiration around the clothing, as we see several of Findikoglu’s designs draw inspiration and focus around different historical periods, ranging from the iconic broad shoulder pads of the 80’s flanked against exaggerated white cuffs and overgrown shirts, Iconic Sphinx and snake-like patterns commonly associated with the ancient Egyptian culture and the gown wearing, open upper torso dresses popular within the Tudor period.

Accessories are an abstract but all necessary feature within this collection as we see several pieces including miniature figurines, broad open angular diamond jewellery, nude photographic portraits and those all too necessary items of cutlery which lend an all-too-cool steampunk inspired look to the clothing.

(Why go hunting around the office for a clean spoon when you can carry one with you at all times right?)

Angular neck pieces were also on show, which had a life of their own altogether. With other items following suit such as large angular belts encrusted with the signature steampunk cogs, gears and  lengthy beaded tassels. There’s even a Bladerunner themed Zhora PVC shawl - who couldn’t resist this?

Words: Nathan Mills | Fashion Week Writer |

Images: Joshua Atkins | Fashion Week Photographer | Website

Fyodor Golan's AW18 London Fashion Week collection was a high-flying, yet utterly down-to-earth showcase of motion and colour. The creative duo, who are known for their experimental flair, this time drew their new season concept from the sky. Rainbows inspired the aesthetics and colour scheme, while hot air balloons influenced the dynamic movements of every piece. The show, In collaboration with MTV, struck a youthful chord proving that leisurewear is constantly being adopted and adapted by each generation.

 

With planets and orbs decorating the showspace, this was certainly one collection that hoped to elevate edgy styles to new heights. The retro 1980s feel of the collection was injected with a spectrum of colour that exuded a thoroughly playful spirit. Pleated skirts layered over tracksuits challenged the traditional rules of luxury leisurewear while preaching the Fyodor Golan X MTV attitude of being young, adventurous and original.

 

 

Fyodor Golan's ethos of always achieving new modes of motion was enhanced by the literal and metaphorical idea of hot air balloons. Sweeping dresses with gathered hems Vs fluent tracksuits moved with a light and effortless breeze, poised to take flight. The collection is also prepped for the Autumn/Winter season, with chunky knits and over-sized jackets.

 

 

The show succeeded in creating ready-to-wear fashion that is ready to reach unlimited heights and still, it came across as accessible to anyone.

 

Words: Sophie Joaman| Fashion Week Press|

Images: Martina Bruno | Fashion Week Photographer | @martinabrunoph

 

Designer Jamie Wei Huang’s SS18 collection, “Dew”, was inspired by the fragmented recounting and retelling of personal experience. It was a concept drawn from Huang’s reflection on her own traditional Taiwanese culture, and captured by the beautiful, hesitantly accumulative piano piece which instigated her show.

 

The story began in stripes. Blues, pinks and greens growing in depth and vivacity with each piece, a gradual solidifying of colours to correlate that of re-emerging memory; the punctuation of bold reds, yellows and cobalt in the shoes and accessories, providing those colourful splashes of certainty which continue to emerge throughout the collection.

Ball Gown Wedding Dress NZ

Huang’s Spring/Summer designs favour easy-fit clothing; wedding dresses and jumpsuits tying into her signature style of elongated silhouettes with a focus on creating contemporary fashion for the modern woman.

Wedding Dresses

The concept of construction was apparent in the rough-cut hems, sewn on pockets and undisguised use of zips, drawstrings and metallic rings which both decorated the pieces and acted as functional elements of the designs.

Creative cut-outs were another standout feature, with gaping knees and bare-backed jackets building on the impression of fragmented recollection, while asymmetric designs alluded to the inevitable incompleteness of memory.

Denim-look fabrics, and the brave contrasting of colour-block socks with easy slip-on sandals concluded the collection with a sense of layered individuality, promoting self-expression through contemporary fashion.

Originally from Taiwan, Huang graduated from Central Saint Martins College in London in 2012, launching her designer label Jamie Wei Huang to great critical acclaim in 2013; winning both the “Designer For Tomorrow” award, and the “Elle talent Award” for her AQ14 collection. Huang’s designs are now sold internationally in luxury retailers such as Harvey Nichols, Dover Street Market, David Jones Sydney and mimma ninni.

Words: Scarlett Sangster | Fashion Week Press | @scarlettgracehs

Images: Rosemary Pitts |Fashion Week Photographer|@rosemarypitts

Next generation utility-wear with an athletic vibe. Dumpty’s SS18 collection made functional, fashionable at LFW2017.

The Dumpty SS18 models stepped out with attitude on Monday morning, showcasing this to a pulsating electronic beat.

This unisex collection, used synthetic fabrics to create durable pieces which appear both functional and highly wearable, with playful cut-outs and asymmetric styling, giving the collection a 90’s kid edge.

White, black and orange provided a solid base to the outfits, while greens and greys occasionally dressed down the utility tone. Pink, a seasonal spring favourite, made a cheeky appearance, contrasted with a black, leather-look jacket to give the look a tougher aesthetic.

The incorporation of high sport socks and mint-green trainers gave the whole collection an athletic vibe, complemented by the slicked back hair and grungy bare-face styling. The casual added branding of “dumpty” stamped across the forehead of each model, an added quirk which spoke to the bold and mischievous personality of the brand.

Zips, Velcro and oversized pockets statemented the pieces, while accessories were alternatively worn with bun-bags fasted across the chest, their straps made from what looked like car seat-belts, an innovative supplement to the practical feel of the collection.

Words: Scarlett Sangster | Fashion Week Press | @scarlettgracehs

Images: Rosemary Pitts |Fashion Week Photographer|@rosemarypitts

There was a romantic mood in the air for Isa Arfen's SS18 presentation at Somerset House. Flowing fabrics skimmed the floor in striped and illustrated floral prints. Draped wrap dresses and ruffled trims created a feminine look. But it wasn't all soft and delicate.

Styled with a bit of edge, the models had dark, dramatic eyes and contemporary, fashion-forward hair. Gelled over and swept to one side, shaved or pixie cut.

There was a clear influence from the Far East with wedge sandals worn with white socks and traditionally cut garments in rounded shoulders, wrapped waists and maxi-length skirts. These classic design details were blended with contemporary style through cami dresses over t-shirts and trench coats in iridescent fabrics.

A neutral palette was accented with bursts of red, pink and dark green, creating a highly fashionable but wearable collection. Exactly what the brand aims to achieve – real design for real women.

Words: Sunna Naseer | Fashion Week Press | @sunna_naseer
Images: Catherine Davison | Fashion Week Photographer | @caedavison