Tag: fashion

London Fashion Week is where we get all our style tips - the place to wear the most fabulous outfits of the season while taking note of what to be wearing for the next!

So, now that the SS19 shows have come to an end we can take our eyes away from the catwalk and focus on what we spotted off the runway. Our favourites (to name a few) feature bursts of orange, wild prints, checks on checks, full on fringing and not forgetting 70s inspired florals. Whether you were flying solo or a power couple, serious coordination was key and caught our attention wherever we turned! You heard and saw it here first, these are the trends we'll be watching this autumn.

@lauren_hallworth
@laurenbannon1
@leopardprintelephant
@naomikisted
@triinuo
@sinyusiu
@lauren_hallworth
@adamsiddle1

@miss0liwia

@katiieewood

Words: Andrea McCaul | Fashion Week Press | @andreaelizam
Images: Eloise Peachey | Fashion Week Photographer | @eloisepeacheyphoto

 

Simon Mo Spring/Summer 2019

Simon Mo presented a tightrope act of fashion meets environmental commentary for his Spring/Summer 2019 show. A passionate environmentalist, Mo is committed to exploring the beauty and fragility of nature.

Simon Mo Spring/Summer 2019

These are big themes to present on a runway; the idea of our vulnerable, exploited earth and yet Mo is sophisticated enough in his choice of fabrics and tailored cuts to easy his London Fashion Week audience into such a weighty philosophy.

Simon Mo Spring/Summer 2019

Fluid and imaginative Mo in fact achieved the opposite affect – making our spirits soar. The collection benefited from Mo’s research into one of his much loved childhood stories, Sinbad the Sailor and he applied its sense of adventure to his nautical inspired over-size shirts, loose jackets and fluid dresses.

Simon Mo Spring/Summer 2019

The Taiwanese more designer’s tailoring was particularly exciting with him introducing exotic coloured jacquards, bright tartans and even sequins. There was even dresses constructed of red or blue velour. There was a sense that Mo enjoyed entering a new terrain via his athleisure references of vintage suba diving suits and sequined hot pants.

Simon Mo Spring/Summer 2019

Comfortable and yet compassionate Mo shared his environmental message with an easy feeling, comfortable collection.

Words: Catherine Caines | Fashion Week Press

Images: Eloise Peachey | Fashion Week Photographer | @eloisepeacheyphoto

I have so many clothes.. Clothes that don't fit me anymore but one day THEY WILL fit me again, clothes that I have never worn, clothes that I wore once, clothes that I have convinced myself I will wear (crop tops) but in reality they're never going to see the light of day...

I know I don't need them, I know I should get rid of them, but my heart bleeds when I think about how much money I've spent on all these useless garments over the years. That's why I'm always on the look out for something like this Swap and Style Event put on my Love Not Landfil. It is PERFECT for my needs.

So whether you're doing it for the environment and the greater good or to save a few pennies, or just for a fashion-focused day out pop on down and take a look at the bargains and wonderful one-off pieces on offer. You'll be hard pushed not to find something as the event is held at London’s largest fashion recycling warehouse, LM Barry in Canning Town on 24th April, 10am-midday.

This Swap and Style event is a rare opportunity to rummage through thousands and thousands of unwanted clothes to uncover and select new outfits with the help of Emma Slade-Edmondson, the stylist behind Back of the Wardrobe and Charity Fashion Live.

For those that love to document theres even the opportunity to be photographed by a fashion photographer in your fabulous finds!

The event comes under the banner of Fashion Revolution which launches on the 22nd April to encourage a more mindful and socially responsible way of thinking about clothes. Fashion is the second most polluting industry in the world after oil* and the rise in fast fashion has meant that the amount of clothes produced each year globally has doubled in 15 years from 2000 to 2015.

#Lovenotlandfill is a campaign aimed at young fast fashion fans in London. The goal is to reduce the environmental impact of the fashion industry via a core message: love your clothes then pass them on when you’ve finished with them so someone else can love them too. The campaign will remind young people to:

  • Never dump unwanted clothes in a household bin as they clog up landfill and release harmful climate change gases
  • Recycle, share, swap or repair unwanted clothes
  • Share the message with your friends

Event attendees are encouraged to swap their unwanted clothes with new items that they find in the giant treasure trove at L M Barry Textile Recyclers on the 24th April.

Tickets are FREE but you will be required to pay £15 to reserve your space. This will be refunded on your arrival at LM Barry for the event.

All proceeds from non-attendance will go to Fashion Revolution, a social enterprise which works towards a fashion industry that values people, the environment, creativity and profit in equal measure.

You can reserve your tickets here.

L M Barry Textile Recyclers, North Crescent, Canning Town, London E16 4TG

Settling in to our seats in the BFC Showspace on the first day of LFW AW18, we were primed and ready to start the season off with Bora Aksu’s signature florals and floating fabrics. His beautiful and feminine collections are a much-loved staple of fashion week, providing tranquillity amongst the madness. So we were all intrigued when the first model marched onto the runway in a navy tailored jacket and wide-legged trousers, no lace or sheer fabrics in sight.

Inspired by the story of Margaret Ann Bulkley, a woman back in the 1800s who had to dress as a man in order to practice as a surgeon, this season’s collection is an exploration of that metamorphosis, from woman to man and back again.

Structured silhouettes, heavy velvet materials and dark, rich colours emulated the masculine uniform that Bulkley had to wear in her role as Dr James Barry, but flamboyant edging and intricate detailing nod to the female within.

As the collection develops, hemlines become more floating, fabrics become lighter and jackets sit over dresses and skirts, juxtaposing the two opposite styles in a way that complements each of them, as well as the wearer.

Of course, it wouldn’t be an Aksu show without his florals; layers of pastel pleats in tulle and organza eventually appear on the catwalk, sat atop simple silhouettes, giving them depth and intrigue and eluding to the enigmatic nature of Bulkley and the mystery of her role.

As the models reappeared in the show space and lined up in a group ready to walk around the room one last time in a synchronised strut, the exposition that runs through the collection became even more evident. Ultimately, this collection is still the Aksu that we know and love, but his exploration of femininity now moves beyond the confines of societal expectations and stereotypes to delve into what it means to be a woman in today’s world – and indeed, for one woman in Georgian society.

 

Words: Katharine Bennett | Fashion Week Press | @misskatebennett

Photos: Mikayla Miller | Fashion Week Photographer | @mikaylajeanmiller

Let’s play a game.

We’ll start: if the end of the world was nigh, where would you be?
It’s likely you’ve already made this foray into the hypothetical by now. After all, who hasn’t discussed at length the best place to stow away -  and how best to arm yourself - should the (almost) inevitable environmental/political/zombie apocalypse come a’knockin’.

 

 

Zombies aside, this is clearly a thought that has weighed on the ever-imaginative mind of Matty Bovan, British fashion’s bright young thing and solo runway debutante, with his first standalone show away from the nurturing bosom of Fashion East. Over the past two years his particular brand of dystopian folklore has captivated those seeking a welcome escape from their daily reality, and his AW18 collection continues to serve them with aplomb.

 

 

So where is Bovan seeking to establish his future world? North Yorkshire. Home not only to his garden studio out the back of his mother’s house, but to the wiley, windy moors where, for this latest work, Bovan’s mind has rolled and falled in green. For Bovan, the famous moors are the location for his survivalist settlement; an all-consuming abyss that combines romance and isolation in equal measure. But remember, as Nietzsche suggested, if thou gaze long into the abyss, the abyss will also gaze into thee.

 

 

And so the collection was rich in savage beauty, with heritage tweeds unravelling at the hem and outdoorsy knits (created in collaboration with Wool and the Gang) stretched and deconstructed to expose the skin underneath. Ravaged remains that only just survived the blast. Houndstooth, often the fabric of the countryside elite, is tattered and contorted; thrown haphazardly together with pastel tulle and textured terrycloth to create a post-apocalyptic uniform that’s tinged with glamour.

 

Ladylike separates, inspired by Bovan’s own grandmother, are literally torn apart and pieced back together, suggesting that the ruling class in this future universe is whoever has the gusto to survive.

 

To elevate the girls, quite literally, into this brave new world, Bovan enlisted the help of renowned conceptual milliner Stephen Jones to create headpieces formed of clustered balloons, not unlike the kind you used to lust after as a child. A striking symbol of weightlessness in a collection dominated by heavy fabrics and layers so loaded that they practically fall from the body, they almost whisked the models off their feet into the great unknown. Will we follow? Just try and stop us.

 

 

Words: Camilla Hunt | Fashion Editor | @camillamcleanhunt
Images: Mikayla Miller | Fashion Week Photographer | @mikaylajeanmiller